Tetsuji Takechi, The Father Of japan Pornography

Tetsuji Takechi (武智 鉄二, Takechi Tetsuji?, December 10, 1912 – July 26, 1988) was a Japanese theatrical and film director, critic and author. First coming to prominence for his theatrical criticism, in the 1940s and 1950s he produced influential and popular experimental kabuki plays. Beginning in the mid-1950s, he continued his innovative theatrical work in noh, kyōgen and modern theater.

In the 1960s, Takechi entered the film industry by producing controversial soft-core theatrical pornography. His 1964 film Daydream was the first big-budget, mainstream pink film released in Japan. After the release of his 1965 film Black Snow, the government arrested him on indecency charges. The trial became a public battle over censorship between Japan's intellectuals and the government. Takechi won the lawsuit, enabling the wave of softcore pink films which dominated Japan's domestic cinema during the 1960s and 1970s. In the later 1960s, Takechi produced three more pink films.

Takechi did not work in film during most of the 1970s, instead serving as the host of a popular TV program, The Tetsuji Takechi Hour. In the 1980s, he remade Daydream twice, starring actress Kyōko Aizome in both films. The first Daydream remake (1981) is considered the first theatrical hardcore pornographic film in Japan. Influential in both the cinema and the theater, Takechi's innovations in kabuki were felt for decades, and his films and battles against censorship in Japan earned him the titles, "The Father of Pink" and "The Father of Japanese Porn."

source: http://en.wikipedia.org/wiki/Tetsuji_Takechi